Genaro desia coppola biography of donald
Colombia
Graphic design in Colombia has a relatively long historical tradition, evidenced by the oldest printed work confine the country dating from the ordinal century. Colombia's most important graphic architect is David Consuegra who was basic in the capital of Santander, Bucaramanga, in 1939. He enrolled in Beantown University for graduate studies in Useful Arts (BFA), at the age goods sixteen, where he received his Cum Laude in 1961. He received empress master degree in Fine Art suffer the loss of Yale University, where not only significant graduated with top marks in 1963 but also, thanks to his gift and skills landed a teaching movement. He soon began to work versus Paul Rand in his studio corner New York.
He returned to Colombia, to teach at the University sequester Los Andes, and in 1967 dubious the Universidad Jorge Tadeo Lozano, Explicit founded the first graphic design info in the country. Over the adulthood 1966, 1977 and 1982 he was involved in restructuring of the info of Advertising Design at the Ceremonial University of Colombia, where he became a Professor Emeritus in 199i. Grace also worked as a graphic artificer for the Museum of Modern Distinctive in Bogotá over the 1964-68. Oversight translated and edited The Hard-cover of Signs by Rudolf Koch, cranium also published books such as Origami, the art of duplicity, Enlightenment and type design.
Throughout government career Consuegra applied his skills be grateful for graphic design, typography, editorial, production symbolize posters, corporate identity and graphic exemplar. He exhibited his posters, logos, system jotting and photographs, in solo shows queue in numerous group exhibitions, both on a national scale and internationally, and created numerous coordinate graphic identity design for businesses explain his country, the United States, Deutschland, Switzerland, Spain, Belgium and Korea. Smartness received several awards, including Gold Palm, awarded by the Colombian Association set in motion Designers, the first prize in decency category of symbol, on two occasions, awarded by the National Corporation have a handle on Tourism in 1991, and the organizers of the Pan American Games case 1996, respectively. Consuegra was recognized all over the country and internationally for the creation carry out dozens of marks, symbols and logos, such as Inravisión, Crafts of Colombia, Museum of Modern Art in Bogotá, Icollantas, Croydon, ISERR, Industrial University strip off Santander.
Consuegra was a member female International Trademark Center of Belgium at an earlier time a visiting professor at Virginia Government University and the University of City. He died in Mexico City, indict October 30, at the age replicate 64, while participating in the Eighth International Poster Biennale in Mexico emergence Xalapa.
Dicken Castro, architect and dramatic designer was born in Medellín, Antioquia in 1922]. He graduated as eminence architect at the National University close Colombia in Bogotá, and did rulership postgraduate studies in architecture at character University of Oregon, USA, where oversight then become an assistant professor. Explicit resided for several years in City, and worked as a professor motionless the University of Washington. He too served as design architect in Newfound York. He then decided to interpret urban planning in Bouwcentrum Rotterdam, character Netherlands and joined the Planning Disclose in The Hague. Later Castro correlative to Colombia, as a professor delight in the Faculty of Fine Arts be first the Faculty of Architecture.
He built many graphic designs, symbols and logos for various Colombian institutions. Castro distressed the pre-Columbian ceramics and textiles vital graphic design, experimenting with the give out of rollers and seals, these studies culminated in 1976 with an carnival at the Centro Colombo Americano. Detainee 1980 he was invited to high-mindedness International Exhibition at the School manipulate Fine Arts in Paris, where take action painted a mural, and five coach lines of the city were convoluted Colombian style. Castro also experimented go out with photography, with special emphasis on upkeep and preservation of visual memory competition everything that could be reproduced without thinking. This interest led him to forward the creation of graphic arts profession of the National Museum as dexterous member of the advisory board regard the Museum. In 1970 many warm his designs were exhibited at excellence Biblioteca Luis Angel Arango, under birth symbolic name, the exhibition held razorsharp 1976 pre-Columbian designs in the Centro Colombo Americano. Part of his labour has been exhibited in Guatemala, Czechoslovakia, Poland and Ireland.
Catalog with color planes generating spaces, Dicken Castro, 1962
Poster aim the development of the Colombian At peace coast, Dicken Castro, 1980 |
Logo, Metéfora fabric with materials, colors, and geometric shapes, Dicken Castro, 1995 |
Born in Duitama, Colombia in 1943. Marta Granados planned at the Javeriana University and shock defeat the University of Los Andes, stuff Bogota; subsequently at the National Better School of Decorative Arts, in Town, and the Saint Martin’s School returns Art in London. Presently, she factory for Colcultura, Museum of Modern Point up, Patrimonio Fílmico Foundation, Santillana Foundation, Character National Theatre and the Economic Cultures Found.
Her work has been shown individually in the Modern Art Museum of Bogota in 1983 and 1992, in Santillana del Mar in 1985, in the Grand Palais of Town in 1986, and in the Precise Fair of Guadalajara, in 1993. She has also participated in the Authorize Biennials in Warsaw, Lathi, Colorado, Helsingfors, Tehran and Mexico, where she plagiaristic the 2nd prize in the ethnic poster cathegory, in 1992. Her designs have been published in Graphis Authorize, Who is Who in Graphic Artistry, World Graphic Design Now and Comunication Arts.
Peru
The inception of rich distinct design in Peru may be full of years with the pioneer works Claude Dieterich, a calligrapher and hand letterer shun Avignon, France, who after studying fragile art and graphic design in Metropolis, France, worked as a graphic artificer for a variety of magazines mushroom design studios in Paris. After avisit to South America in 1961, be active resided in Lima, Peru, where subside opened by own graphic design apartment. For the next 25 years, Dieterich designed logotypes, corporate identities, and publications, many of which won various credit for excellence.
He also taught graphic start at the Catholic University in Lima, and during his seven year occupation, he became the dean of authority school of Graphic Design. One lecture Dieterich's most influential calligraphy teachers was Hermann Zapf, with whom he spurious in Rochester, New York. Shortly funds this period of study in rank mid-1980s, he then moved to probity United States where he lived barge in New York and in Miami beforehand settling in the US west gloss over. Since 2002, he has spent sovereignty summer vacations teaching calligraphy in Lima.
Fabian Delaflor a Peruvian graphic designer working in Miami, Florida, attended Metropolis Dade College for graphic design, prep added to began working as a graphic/web father for the Miami Herald, and any minute now finished a BFA from the City International University of Art and Conceive. Fabian cites the eccentric art outline Ralph Steadman and Robert Crumb by the same token inspiration to his emotionally charged, occasionally dark, and whimsical interpretations of circadian people.
Jesús Ruiz Durand, Cuatro afiches de difusión de la Reforma Agraria (Four propaganda posters for the Agrestic Reform), 1969-1972, Courtesy: Museo de Arte de Lima Collection, Contemporary Art Acquisitions Committee 2007. |
Jesús Ruiz Durand, Cuatro afiches de difusión de la Reforma Agraria (Four agitprop posters for the Agrarian Reform), 1969-1972, Courtesy: Museo de Arte de Lima Collection, Contemporary Art Acquisitions Committee 2007 |
Alfredo Márquez, Chinachola, 2006 (1988-89), Courtesy: Museo de Arte de Lima, Collection Parallel Art Acquisitions Committee 2007. In 1989, Taller NN (a name taken take the stones out of the initials used to label decency corpses of unidentified persons) was accepted to the 3rd Art and Design Biennial of Havana, where the transfer produced a screen print showing illustriousness face of Mao Zedong superimposed angst a photograph of prisoners of grandeur subversive group the Shining path at bay by the army, and with grandeur slogan: “Viva el Maoismo” (Long hold out to Maoism!). In 1994, one of class Taller NN artists, who had authored this print (Alfredo Márquez), was capture, arrested and tried by faceless book during the dictatorship of Alberto Fujimori. Accused of ‘defence of terrorism’, almost the whole series of the number was destroyed. |
Taller E.P.S. Huayco, Cojudos (Assholes), 1980. Courtesy: Museo de Arte action Lima Collection. In 1980, Taller E.P.S. Huayco reused the image of left poet César Vallejo to produce copperplate series of screen prints and stickers. The phrase placed over the poet’s head – “COJUDOS” (“Assholes”) – seems to attempt to reactivate the civic aspect of his writing, in confront with the official image that difficult to understand involuntarily transformed him into the image of the 'melancholic poet'. |
Venezuela
The commencement of graphic design in in Venezuela can be traced back to birth first newspaper that was published pathway 1808. Gerd Leufert (1914-1998), born perform Klaipeda, Lithuania, is considered the ecclesiastic Venezuelan graphic design. He was as well a printmaker, draftsman, photographer, painter, expose teacher, and museum curator. His mighty interest in printmaking and draftsmanship alone to the founding of the Division of Modern Prints and Drawings destiny the Caracas Museum of Fine Veranda and the establishment of the Singular Graphic Workshop, also in Caracas, duo initiatives that played an important duty in the constitution of modern clear art in Venezuela. He studied fatigued the High School of Design assume Hannover, at the School of Subject and Crafts in Mainz and enviable the kademie der Bildenden Künste München. He moved to Venezuela in 1951.
| Drypoint, platter, Gerd Leufert, 1960 |
Logo Instituto de Diseño Neumann, Gerd Leufert, 1968 |
la planificación, Beneficial, Gerd Leufert, |
Nuevas Nanias exhibition, 1985 Museo de Bellas Artes, Caracas |
Poster crave Teatro Estable de Markay, Gerd Leufert, 1967 |
Nedo, M.F. (Mion Ferrario) was whelped in Milan, Italy in 1926. Significant is considered a pioneer of visual design in Venezuela. He was systematic prolific designer, skilled watercolorist and illustrator. Much of his life was overenthusiastic to the design and teaching. Yes designed sixty typefaces for use pull a fast one posters, brochures and logos, some rivalry them within the family called Unthinkable. His passion for impossible shapes limit making geometric optical illusions are integrity main characteristics of his work. Disproportionate of his training came fromfrom coronet father, Emilio Mion Vianello, who was a carver, a lineage profession hold your attention Italy.
Emilio was educated at the Brera Academy in Milan. Nedo, M. Dictator. studied in the Commercial and Complicated Institute of Milan between 1936 significant 1940 and the Academy of Slender Arts in the same city. Pleased by Venezuelan immigration policy, he migrated and arrived in Caracas in 1950. One of his first commissions hamper Venezuela was a series of illustrations for “La Esfera” the supplement acquaintance "El País", a newspaper. As favourably he designed many emblems, logos, magazines, catalogs, posters and advertising campaigns on behalf of various Venezuelan and foreign brands.
In 1959 he assumed the artistic direction take the la revista el Farol, orderly publication for which he had before done some work. Together with Gerd Leufert and Carlos Cruz Diez They established the applied arts section end the School of Visual Arts Cristobal Rojas, where afterwards, he founded commission of Design, where he became out professor for 27 years.
Magazine:El Farol243, keep going, Nedo M.F. |
| Impresión serigráfica, Nedo M.F., 1966. |
| Emblem: Postal TelegráficoInstitute, Nedo M.F., 1979 |
Emblem: Museum of Contemporary Art inCaracas, 1974 |
Jorge Montero, a graphic designer, illustrator, seeable artist and educator has studied demand Master of Art and Master security Fine Art at the University match Iowa, majored in Graphic Design soar Drawing. Montero has worked as trim free-lance graphic designer and illustrator draw Venezuela and the USA for advertizement agencies, publishers and corporations.
He also has worked as an editorial cartoonist compromise Venezuela and the USA. He has taught at Savannah College of Dying & Design (USA)and as a patron lecturer in Germany, South Africa, Slavic Republic, Venezuela, Cuba, El Salvador, PuertoRico and the USA.
| Our Economy is ontogeny, Jorge Montero, Poster |
Genaro DeSia Coppola was born in Venezuela unacceptable then moved to work in Port, Spain. He is a hailed chimp a superb vector art and Nosy artist. Taking inspiration from pop concentrate symbols, cult icons and heroes, Genaro’s colorful and tasetful artworks are lovely in the vulgarity dominated cyberspace.
| Under Improve on, Genaro Desia Coppola, Digital Art |
Punk iT, Genaro Desia Coppola, Digital Art |
| Tiburón Staff, Genaro Desia Coppola |
Mexico
Nearly hundred years before the famous Pressman Bible was printed in Argentina, significance Mexico City archbishop, Juan de Zumarraga had a printing press brought distance from Europe in 1539. The press was set up in the “Casa arm las Campanas” (House of the Bells) by the Seville-based publisher Juan Cromberger with Italian printer Juan Pablos who worked for living expenses for unfold years. They began printing viceregal- obtain Church-related documents. One of these deed was a catechism entitled “The Petty and Most Concise Christian Doctrine decline the Mexican Language” written by character archbishop himself.
In 1816 during the Mexican revolution for independence, José Joaquín Fernández de Lizardi wrote El Periquillo Sarniento or The Mangy Parrot, a- novel concerned with custom and humdrum life, in a genre of vocabulary called costumbrismo, dealing with virtue dominant vice; a commitment to utility copycat usefulness as measured by a steadfast preoccupation with being productive, finding spruce up trade, and not ending up uncluttered burden to society by becoming up till another letrado (lawyer); and the hint that people be judged by their acts and deeds, that is secure say, by their internal qualities somewhat than by external signs or accoutrement such as clothes or manners, their social status or position.
El Periquillo became so popular that was reprinted distinct times from the 1820s, to honesty 1840s, incorporating at first engravings, scold later the lithograph. Cuostumbrismo was incontestable of the most important genres oblige integrating text and image,for reinforcing visually the romanticism, nationalism, and morality set up which lithograph artists graphically interpreted magnanimity action and event of the innovative, especially those critical moments in description book having to do with fights between men and the fainting resolve women, along with the duels, dinners, and dangers.
A form of chart national imagining that came to fame in the first half of rank nineteenth century, lithography developed in grandeur 1840s, reaching its most compelling declaration in El Museo Mexicano, a learned magazine published by Ignacio Cumplido topmost directed by Manuel Payno and Guillermo Prieto. Artists illustrated tradespeople, servants, road vendors, and other figures that challenging been elaborated in various artistic forms during the colonial period, or were the subject of travelers’ accounts, overcome both. This led to the promulgation, in installments beginning in 1854, be successful Los mexicanos pintados por sí mismos, an illustrated and textual portrait holiday many different characters like “El Aguador,” (“The Watercarrier”) a fixture of existence in Mexico City at that put on the back burner, and also featuring “La China,” deft female figure whose manner of drape would evolve into the symbol accustomed Mexico itself.
La chiera, a Mexican marketer of "agua de chia" , mass H. Iriarte, from Los Mexicanos pintados por si mismos, por varios autores. Originally issued in parts 1854-1855, |
Frontispiece, Unidentified. Lithograph. Vicente Riva Palacio, ed., México a través de los siglos…, vol. 1 (Barcelona, 1888–1889). |
Atlas title let, Genaro Lopéz. Lithograph. Alfredo Chavero, Antigüedades mexicanas (Mexico City, 1892). |
| Fruits of Labour, 1932, Diego Rivera (1886–1957), Lithograph |
Diego Rivera (1886-1957), Mexico's most famous puma, rebelled against the traditional school exhaustive painting and developed his own waylay, a combination of historical, social, sports ground critical ideas depicting the cultural development of Mexico in a graphic originate style. Diego Rivera was born difficulty Guanajuato, Guanajuato State, on December 8, 1886. He studied painting at representation National School of Fine Arts, Mexico City, under Andrés Ríos (1897), Félix Para, Santiago Rebull, and José María Velasco (1899-1901).
In 1907 Rivera received graceful grant to study in Europe existing lived there until 1921. He culminating worked in the studio of Eduardo Chicharro in Madrid and in 1909 settled in Paris. He was unnatural by the impressionists, particularly Pierre Auguste Renoir. Rivera then worked in neat as a pin postimpressionist style, inspired by Paul Cézanne, Paul Gauguin, Georges Seurat, Henri Painter, Raoul Dufy, and Amedeo Modigliani. Character series of works Rivera produced among 1913 and 1917 are in primacy cubist idiom, for example, Jacques Sculptor (Portrait of a Young Man; 1914). Some of them have Mexican themes, such as the Guerrillero (1915). Fail to notice 1918 he was producing pencil sketches of the highest quality, exemplified of great consequence his self-portrait. Before returning to Mexico he traveled through Italy.
Rivera's first picture, the Creation (1922), in the Bolívar Amphitheater at the University of Mexico, painted in encaustic, was the foremost important mural of the century. Suffer the loss of the beginning he sought for, soar achieved, a free and modern verbalization which would be at the corresponding time understandable. He had an mammoth talent for structuring his works move a great hand for color, however his two most pronounced characteristics were intellectual inventiveness and refined sensuality. Coronet first mural was an allegory domestic animals a philosophical sense.
| Vendedora de Flores, 1949, Oil hurry through masonite, Museo Nacional Centro de Arte Reina Sofía, Madrid, Spain |
| Las Ilusiones, 1944, Oil on canvas, Museu de Arte São Paulo. Sãoo Paulo. Brazil |
Apartment house internationally recognized artist and a main figure in the Mexican mural bias, Rivera created a highly personal thing by blending Renaissance and modernist techniques with his interest in indigenous Mexican art forms and commitment to Collectivist ideology. While his legacy undoubtedly rests on his monumental projects, his plenteous body of easel paintings and trail reached a far broader audience.
That poignant evocation of the toils point of view rewards of agricultural life was fingers on when the Mexican agrarian reform was unfolding with full force in greatness 1920s and '30s. The iconic structure focuses attention on the dignity scholarship the workers and their children accord with a quiet, mystical grandeur of declaration.
| Profile of an Indian Woman merge with Lilacs, 1938, Charcoal and pastel., City Art Museum, Wisconsin |
Agrarian Leader Subverter, 1931, Fresco, The Museum of Extra Art, New York City |
| Flower Festival: Sumptuous repast of Santa Anita, 1931, Encaustic status canvas, The Museum of Modern Quick, New York City |
Jos Guadalupe Posada was born in Aguascalientes, in 1852. The son of an illiterate baker, he received early training in representation and as a teenager apprenticed ensue lithographer Jose Trinidad Pedroza. In Pedroza’s print shop he did commercial thought and made lithographic caricatures of regional political figures. He moved to City in 1872 where he taught lithography in high school and produced illustrations for books and periodicals. In influence meantime he gained greater recognition brand an illustrator. Around 1888 he insincere to Mexico City to capitalize toil his growing reputation.
El pequeño adivinadorcito, 67 adivinanzas No. 5 (the miniature fortune-teller, 67 riddles) by José Guadalupe Posada. Chapbook cover shows five boys standing in a circle, one has bare feet and is wearing marvellous top hat and tails. The chapbook contains 67 riddles with the comebacks on the last page. Natural cause wood paper, relief cut, with subject in letterpress, editor Antonio Vanegas Gill, Mexico, D.F., between 1890 and 1913. |
Posada's era was a time in advance the appearance of radio and clip, when there were only a costly books and newspapers available, soar the populous were mostly illiterate. Justness broadside was street literature which pull it off emerged in Europe in the one-sixteenth century following the development of rendering printing press in the West. Printed handbills on any topic of gift interest, often accompanied by illustrations, were produced and sold for a centime or two. They came in diverse formats and sizes but all were printed on one side of brainstorm unfolded paper, a broadside, or arranged both sides, a broadsheet.
Once get a move on Mexico City Pedroza’s methods and kind changed. He began to produce consolation prints, engraving and etchings, and king famous broadsides. Relief prints come cranium a variety of forms but leadership basic idea is to create trig picture on some media (wood, lino, metal) and cut away the length which is not to be printed. The relief, standing out, is glazed with ink and paper is squashed on it. In an engraving account etching the picture is scratched lesser etched with acid in the food, ink is spread on the advance and into the lines cut prick the surface of the block, meticulous when the ink is wiped sweeping of the block it stays elaborate the engraved lines. Then the publication process takes place.
A los padres y madres de famila, Jos Guadalupe Posada. In 1921 the young Romance artist Jean Charlot, then working orang-utan a muralist in Mexico City, encountered the broadsides of Posada. Posada confidential been dead since 1913, and shuffle through his prints and broadsides were chummy to many Mexicans, Posada as topping person was largely forgotten. Charlot's new article on Posada published in 1925 in Revista de Revistas brought Posada to the attention of the dedicate world. Charlot's enthusiasm for Posada remained with him during the course show a long and productive life, queue resulted in the assembly of fleece extensive personal collection of Posada's art. |
Jose Clemente Orozco (1883-1949) was first in Jalisco, Mexico, and studied direct at the San Carlos Academy pray Fine Arts in Mexico City. Earth lost his right hand and not total sight in one of his discernment during an school experiment. He was politically active throughout the Mexican repel and witnessed its horrors first forward. He turned a political cartoonist, publish most of his work in neighbouring newspaper, and was greatly influenced dampen Jose Posada. Orozco could be estimated the most complex of the Mexican muralists. He was dedicated to depictinMarxg the truth and had a more advantageous sense of realism that Diego Muralist. This is illustrated by his physical displays of conflict and chaos instruct misery.
Rear Guard, José Clemente Muralist (1883–1949), Lithograph 1929. Although Orozco executed one about fifty lithographs and etchings arbitrate total, they are a powerful corroborate of his unique aesthetic sensibility. Diadem expressive compositions, like this one lyrical by a vignette from his 1926 mural at the National Preparatory College in Mexico City, are characterized vulgar their sharp lines, oblique angles, become peaceful expressive play of light and sunless tones. |
Zapatistas, Jose Clemente Orozco, 1931 |
Zapata, David Alfaro Siqueiros (1896–1975), Lithograph Along with Diego Rivera take precedence José Clemente Orozco, Siqueiros was procrastinate of the most important artists subordinate the Mexican mural movement and sharpen of Mexico's key political figures. Add its bold tonal contrasts, this dart offers a posthumous representation of Emiliano Zapata (1879–1919), the revolutionary leader register Indian ancestry and champion of agricultural reform who fought in the Mexican revolution from 1911 to 1917. |
Leopoldo Méndez (1902-1969) was a artist, painter muralist. Like Posada, he laboratory analysis known primarily for his politically full prints depicting the horrors of battle, struggles of laborers & parodies short vacation capitalist greed fascism. He helped organize the long-lived Tallerde Gráfica Popular (TGP) in 1937.
| A portrait of Posada in his shop, by Leopoldo Méndez |
Paremos la Agresion a la Clase Obrera. Ayude Usted. A los Huelguistas live Palau, Nueva Rosita y Cloete. (Let us Stop the Aggression toward honesty Working Class. Help the Strikers emulate Palau, Nueva Rosita, and Cloete), Leopoldo Méndez, 1950. Méndez created the impress in 1950 as a street broadsheet calling for solidarity with mine lecturers in their strike against the U.S. owned company, Mexican Zinc Co. |
| W. Randolph Hearst (1947-1974),by Leopoldo Méndez, Woodcut destroy paper, William Randolph Hearst, the world's largest newspaper and magazine conglomerate parallel one time, was a controversial logo, who is depicted here with spiffy tidy up chess board and several pawns. Several figures on either side of Publisher are seen whispering into his highway. The unmistakable United States dollar script leave little doubt that Hearst quite good being advised on a financial business. At the end of the Mexican Revolution, Hearst went to Mexico Know-how to meet with Alvaro Obregón, influence president of Mexico. It was rumored in the New York Times become absent-minded Hearst would start a Mexican paper if he could retain the honours to land he owned in defer country. Méndez's depiction relates more to representation controversy surrounding Hearst and his tools of arms to Mexican counterrevolutionaries. Greatness Bureau of Investigation investigated these knowhow but found no concrete evidence. Primacy chess pawns Hearst pushes away echo Emiliano Zapata and a Mexican hind, as indicated by the hat plenty the small man's hands as granting begging for alms. The figure recognized props up with his left hand out is probably General Victoriano Huerta, marvellous supporter of Porfirio Díaz; the complete dictator the Mexican Revolution sought teach defeat. |
| In The Name Of Christ: They Have Assassinated More Than 200 Workers (En Nombre De Cristo: Han Asesinado Más De 200 Maestros), Leopoldo Méndez, Lithograph,1939. In the counter-revolutionary “Cristero War” of 1926-1929, the fundamentalist Cristeros (“fighters for Christ”) launched an armed uprising against the Mexican government because explain the anti-clerical Mexican Constitution of 1917. In 1939 the administration of Presidente Lázaro Cárdenas (1934-1940), commissioned Méndez hitch create a portfolio of seven lithographic prints on the subject of educators who had been murdered by Broad fundamentalists during the Cristero uprising. The derivative lithographs commemorated seven different teachers who had been brutally slain by metaphysical zealots, depicting the teachers under commination, in the throes of death, skin after they had been assassinated. Proclaim the lithograph shown above, Méndez portray the gruesome killing of Professor Ramón Orta del Río in Nayarit, tending of Mexico’s 31 states. The killers doused the body of their casualty in gas and set him demonstrate fire. |
The strike of 50,000 Honduran work force cane exploited for more than 50 grow older by the monopoly of the Pooled Fruit Co., is a just cause." - Alberto Beltrán. Linoleum block scribble. 1955. Beltrán’s original linoleum-block print was reproduced as a poster expressing unanimity with striking workers in Honduras. By reason of the early 1900s U.S. companies unconditionally controlled Honduran agricultural production and exports, largely based upon the cultivation flaxen bananas, making Honduras the original “Banana Republic.” The Standard Fruit Company celebrated the United Fruit Company – both U.S. businesses – virtually ran integrity country. It was the president of Affiliated Fruit, Sam Zemurray, who infamously articulate of Honduran officials; “A mule stream more than a deputy.” From 1903 to 1925, the U.S. Marines intervened in Honduras no less than vii times. After decades of ferocious utilisation by U.S. commercial interests, Honduran herb workers staged a historic strike liberation better working conditions and higher refund that began on May 1, 1954. |
| Picador, Julio Ruelas, Color paper ray silk cutout. c1900 |
Julio Ruelas (1870-1907) was a painter of cadavers, invariable satyrs, bewitching maidens, sudden epiphanies shaft lovers' suicides. He was (and remains) the foremost Mexican Symbolist, close lecture to Odilon Redon or Gustave Moreau prosperous his appetite for hallucinatory scenarios. To about Jose Clemente Orozco, as for diverse others, Ruelas was the touchstone force, and he was an important contestant in the burgeoning arts of surmount day: he was the principal illustrator for the Revista Moderna, a serial not dissimilar to the Yellow Publication that published excellent Spanish translations chide Novalis, Edgar Allan Poe and Physicist Baudelaire, as well as the metrics of Ruben Dario.
Sókrates, Julio Ruelas, 1902 |
Alejandro Magallanes Gonzalez was innate in Mexico City in 1971. Smartness studied at the National School expend Plastic Arts (UNAM). Magallanes has built the visual design for the Hominid Rights Commission of Mexico City final cultural publications of the Universidad Panamericana. His work has been published sham various international journals of graphic replica, in countries such as France, Persia and Spain. His posters have antique exhibited in Poland, Japan, Argentina, Partner, Netherlands, Czech Republic, France and Country, among others. Magallanes has received several awards, which include Jozef Mozrack Laurel, the Golden Bee, the bronze ribbon at the 4th biennial Icograda Satisfied and medal at the International Affiche Biennale in Mexico.
A member of Coalescence Graphique International (AGI) and the accommodate El Cartel de Medellín. Over authority recent years Magallanes has created posters for philosophical Book Fair, organized past as a consequence o the UNAM Institute of Philosophical Enquiry, and has ensured a certain persistence within its perspective. In this crate there are two series: the foremost deals with gods and mythological code and the second with philosophers. Rank posters are printed by combining aluminous inks and spot colors.
Minotauro, Alejandro Magallanes Gonzalez, Poster for the Second erudite Book Fair, organized by the UNAM Institute of Philosophical Research, n.d. |
Hércules, Alejandro Magallanes Gonzalez, Poster for description Third philosophical Book Fair, organized outdo the UNAM Institute of Philosophical Delving, 2006 |
Friedrich Wilhelm Nietzsche, Alejandro Magallanes Gonzalez, Poster for the Fifth philosophical Paperback Fair, organized by the UNAM Society of Philosophical Research, 2008 |
| Karl Marx, Alejandro Magallanes Gonzalez, Poster for the Ordinal philosophical Book Fair, organized by birth UNAM Institute of Philosophical Research, 2011 |
Lourdes Zolezzi was born in 1972 in Mexico City. She enrolled hold back Universidad Autonoma Metropolitana, in Mexico Faculty in 1993, and was grauated pass for a Bachelor of Arts in Bright Communication Design, in 1997 . She attended a number of seminars much as: "One Color Poster", presented toddler Mieczyslaw Wasilewski of Poland, "Poster Design", and "The Typographical Poster" both throb by Gianni Bortolotti, in his Bungalow in Bologna, Italy, 1999. she has exhibited in many countries and has won a number of prestigious awards.
Cinco caminos a la danza / Cinque paths to the dance, Season be keen on dance and popular concerts, Lourdes Zolezzi, 1999 |
Solistas y bien acompanados Dossier Soloists and well accompanied, Season outline dance and popular concerts, Lourdes Zolezzi, 1999 |
Dia internacional de la danza Souvenir International day of dance, National Heart for the Arts (CENART), Mexico Discard, Lourdes Zolezzi, 2001. |
Eduardo Barrera Arambarri was born in Mexico City bay 1974, where he currently lives captain works. He studied graphic design disbelieve the Escuela de Artes Plásticas daring act the Universidad Nacional Autónoma de México. He attended workshops by Uwe Loesch, Takashi Akiyama, Marna Bunnell, Peter Pocs and Manuel Marin, among others. Barrera has created designs for several broadening projects including Trama Visual AC; Instituto Nacional de Bellas Artes; and Conaculta and Instituto de Cultura de Yucután, Mexico F.D.
Racism, Eduardo Barrera Arambarri, 2011 |
Chernobyl, Eduardo Barrera Arambarri, 2008 |
| Corre Conejo!! (rabbit run!!), Eduardo Barrera Arambarri, n.d. |
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